Grammys 2017: Adele's Revenge

Who gives a damn about a Grammy? Other than Chance the Rapper hopefully no one. But what I DO give a damn about is the Grammys telecast. It’s great! Sometimes for the wrong reasons, but whatever! I love watching it. So, as always, here are some thoughts on each of this years performances: 

Adele (Hello)

“Heeeellllooooooo from 12 months ago” - Adele

Nothing like showing how you have your finger on the pulse of music like starting your music awards show out with a song from 2015. Keep up the good work Grammys!

James Cordon opening

James Cordon is the best case scenario for a musical theater kid.

The Weeknd

The Weeknd is the best case scenario for selling out.

Also, The Weeknd is great in any situation, but definitely the situation The Weeknd is best in is when Drake cancels on your awards show last minute.

Keith Urban/Country Music Barbie

Is this country music is now??? If so I guess it’s true what they say: one generation’s dance-influenced guitar pop is the next generation’s country music. 

Either that or genre is now officially dead.

Ed Sheeran

Fun game I like to play: Former Harry Potter Actor or Ed Sheeran

Fun fact that is definitely true: No one over the age of 26 can name a single Ed Sheeran song

Fun thing to watch on The Grammys: Not this performance

Lukas Graham/Kelsea Ballerini

It’s been fun not knowing you Kelsea Ballerini. Best of luck with everything.

HOT TAKE SO HOT THAT IT’S ON FIRE: “7 Years” is a good song and I enjoy it.

(Feels good to get that off my chest)

Beyonce

In retrospect Destiny’s Child is the most fitting name possible for a young-Beyonce fronted group. This Beyonce is where the last 20 years of popular music have been building to. If 1998 Lauryn Hill, 2008 Lady Gaga, and 2010 Kanye had a daughter, that daughter would want to be 2016/17 Beyonce when she grows up.

Having the platform, permission, vision, and talent to give this performance is really the final level possible of popular artistic success. Clearly Beyonce is there and it’s awesome to see. But mostly I just enjoy how Solange Beyonce is now.

Bruno Mars

Bruno Mars paradoxes:

-Bruno Mars remains somehow both incredibly overrated and incredibly underrated at the same time.

-Bruno Mars is one of the most charismatic performers in history, yet also somehow has no discernible personality.

-Pretty much everyone would agree that a Bruno Mars concert seems like it would be awesome, yet I doubt there’s a single person I know who would ever actually want to go to one.

Bruno Mars remains a great live performer and an even greater enigma, and the Earth will now die and crash into the sun before The Grammys will ever again happen without a Bruno Mars performance.

Katy Perry

I don't know if its acceptable to ironically love Katy Perry yet or not, but regardless, I audibly expressed excitement when her performance was introduced. Listening to new Katy Perry singles is my heroin. I know I’ll never get back that original high of “Teenage Dream” but I’m addicted to trying anyway. It just makes me feel so good inside. And it will somehow probably lead to my death.

Also, how quietly Katy Perry is winning the Perry/Swift civil war is so Katy Perry. And as much as I like Taylor Swift I’m gonna be one of the first people off the boats at Normandy

Gary Clark Jr.

Gary, you're great and I'm sure that was lovely, but I gotta be honest, I was still Perry drunk for your whole performance.

Alicia Keys/Maren Morris

I feel like we as a society have failed Alicia Keys. She’s some parallel universe’s Beyonce.

And I had no real idea who Maren Morris was coming into tonight but I have a strong feeling her album sales just picked up significantly. So way to Ricky Martin that thing Maren!

Adele (George Michael tribute)

In an existential twist, messing up made that way better than it would have been had everything gone according to plan. (Wake up sheep! Adele’s Sound Issues were an inside job!)

And the in-the-moment confusion over how much of Adele’s post-song emotion was about George Michael and how much was about the restart is why there's still nothing quite like watching live TV.

Lady Gaga/Metallica

Wow Lady Gaga’s country phase sure just took a dramatic turn.

Pretty sure Lady Gaga is the first person to perform on the Grammys with both Metallica and Tony Bennett, but I’ll have to check on that. All I know is I’m looking forward to next year when she performs with Wu-Tang Clan.

Sturgill Simpson

Dwight Yoakum introducing Sturgill Simpson feels even more on the nose than Beyonce being introduced by her own mother.

After that performance Sturgill Simpson easily retains his title as My All-Time Favorite Live Performer That I Had Never Even Heard of Two Months Ago. Also there's literally nothing in life The Dap-Kings don’t make better.

The Bee Gees Tribute

I know that literally no one in the world needed or wanted that, but hey, good news, Little Big Town covering “How Deep Is Your Love” is now the official theme song of CBS. So there’s that.

A Tribe Called Quest and Friends

My review

1st Half: ….honestly? Kind of a mess.

2nd Half: ALL THE FIRE EMOJIS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Can you kick it? I’m pretty sure you just did. The ONLY bright side to the next four years is the hope that we might get to experience even more shit like that.

Prince Tribute

Bruno Mars and The Time doing the Grammys' Prince Tribute is the occam’s razor of Prince tributes. It also feels like the last word. Although I also think we’d all be totally fine with just continuing to do Prince tributes forever.

Chance the Rapper

There was a 100% chance that was going to be transcendently great and indeed it was. I don’t believe in God, but Chance the Rapper is so great that he makes me think that I do.

John Legend/Cynthia Erivo

HOT TAKE SO HOT IT CAN MELT STEEL BEAMS: I’m over awards shows doing solemn In Memoriam segments.

Neil Portnow
NEIL PORTNOW BITCHES!!!!! James Cordon thought he could upstage Neil Portnow with his Neil Portnow intro but NOTHING CAN UPSTAGE NEIL PORTNOW! 

Real talk: At this point I legitimately don’t know if my excitement about Neil Portnow is even ironic anymore. This is my cry for help.

The fact that The Grammys ended the performance section of the night with In Memoriam and Neil Portnow

#ThatsSoGrammy

The 20 Best Things of 2016

Fun fact: Many good things actually happened in the year 2016. It’s true! It wasn't all death and Trump, although as you’ll see, those two factors hang heavy over even the best of things. But just like every year, 2016 still managed to produce its fair share of great art, cultural triumphs, and viral delights. Leaving out, obviously, things from 2016 that it seems like I’ll probably love but have yet to experience (OJ: Made in America, Search Party, 20th Century Women, Fences, etc.), and TV shows I’ve already written about in years past (OITNB, Transparent, You're the Worst, Veep, etc) here are my top 20 favorite things from 2016, listed in no particular order:

1. Beyonce - “Formation” video

How upset old white people were about this should give you some idea of just how great it is.

When I was growing up, the biggest music video from the biggest female pop star of the day involved her dancing around suggestively in a Catholic school girl outfit. Trump may have won the election, but progress still remains undefeated.

2. Kendrick Lamar’s Grammys Performance

(Of course this isn't anywhere on the internet for me to link to. Because Neil Portnow.)

Kendrick’s performance was the performance that Kayne always thinks he is giving. It’s a performance that made everyone else who took the stage on Music’s Biggest Night seem like talent show contestants.

I don’t want to tell artists how to use their fame, but this is how they should use their fame. 

3. Last Week Tonight - #MakeDonaldDrumpfAgain

SPOILER ALERT: He didn't make Donald Drumpf again. In fact the viral success of this piece and lack of any resultant effect on Trump whatsoever does raise some big questions about the effectiveness of comedy in actually changing anyone’s mind about anything in 2016. But yet, like death from a thousand paper cuts, it definitely drew a little blood. And even though I really wish John Oliver had stuck with guns and only referred to Trump as Drumpf for the rest of the year, it was still a more thorough and effective attack ad than anything the Clinton campaign managed to put together, and that was basically their whole job. John Oliver can never be president, but the world is going to be a better place as long as he keeps trying to help decide who will be.

Also, says everything about 2016 that this piece now feels like it came out ten thousand years ago.

4. La La Land

Hey, remember joy? And love? And having hopes and dreams? Well La La Land sure does! The best and worst thing you can say about it is that it’s a pre-Trump movie. Maybe the last one ever in fact. But for my money, Damien Chazelle’s quest to Make Musicals Great Again is exactly the tonic we need right now. And it seems fitting the Oscars after the death of Debbie Reynolds are going to be headlined by a colorful and happiness-inducing musical about show business, complete with its own dream ballet. Sometimes the best way to reinvent an art form is to just do it the same way its always been done, only better and at the right time.

5. Olympic Swimming

When the Olympics began I barely cared. I was raised on the Olympics, but in 2016 there’s so much else going on it felt like maybe time has passed the Olympics by. And then the swimming started. And Ledecky destroyed all challengers. And Phelps proved that calling him the greatest swimmer of all time is still underrating him. And Simone Manuel made history. And Lochte Lochted. And Anthony Ervin spun an all-time Olympic athlete backstory into Olympic gold. And for a week there was nothing in the world more compelling than watch people swim laps in a pool.

So turns out the Olympics are the Michael Phelps of sporting events - the second you think they’ve slipped a bit is when they have you right where they want you.

6. LVL Up - “Pain”

Point: Rock and roll is dead

Counterpoint: “Pain” by LVL Up

7. Stranger Things

I hate the 80s. I hate supernatural shows and horror-based shows and “genre” shows in general. I hate homage as the starting place for a work of art. I hate culture’s obsession with nostalgia and youth. And yet I loved Stranger Things. It felt like nothing else on TV while feeling like so many other things all at once. It’s the show Lost wishes it could have been, and what JJ Abrams wishes he had made instead of Super 8.

Also: I hate that there’s going to be a season two. I hate that dialogue around the show seemed so #TeamBarb when clearly any sane right-thinking person is #TeamNancy all the way. I preemptively hate all the imitators Stranger Things is going to spawn. And I hate the Stranger Things backlash that’s inevitably coming and coming hard. But right now, in this moment, let’s all embrace a wonderful television ride and not worry about the demigorgons in the woods coming to put slugs in its mouth.

#KeepHawkinsWeird

8. Flossie Dickey

Sometimes you find true love where you least expect it. Like in an interview with a 110-year woman at a nursing home.

9. Sam Donsky on The Ringer

(Speaking of soul mates…)

In the age of Trump it’s more important than ever that we have writers brave enough to ask the tough questions. Like: Who would win the Oscar for Best Baby? What is the best night any celebrity has ever had at Madison Square Garden? And why does David Benioff always thank his wife by her full name? 

From analyzing the Kim/Kayne/Taylor tapes like they're the Zapruder film, to asking 74 questions about a film no one saw or liked, 2016 was the year Sam Donsky officially made himself into this generation’s Woodward and Bernstein, if Woodward and Bernstein were mostly known for dissecting dumb pop culture on the internet. We may never fully understand why Trump won, but, also, what’s up with Chris Pratt’s vests?

10. Black-ish - “Hope”

A perfect piece of writing and a perfect argument for the continued existence of network TV. 

That being said though, 40 years ago this would be a classic TV episode people would talk about for generations. Now, it didn't even get nominated for an Emmy. Maybe network TV is just beyond saving.

11. The People vs. OJ Simpson

It’s almost a cliche at this point to point out how many societal issues the OJ Simpson case touched on, but watching this miniseries unfold was a great reminder that looking at the the past is usually the best vehicle for exploring the present. To choose just one example, the scene where the jurors argue over what to watch on TV is a perfect encapsulation of how something like a Trump victory could some day be possible. And if Marcia Clark isn't a perfect Hillary Clinton avatar then I don’t know who is. My only complaints about a perfect eight hours of television are that it wasn't longer and that Sarah Paulson and Courtney B. Vance aren't eligible for Oscars.

12. Samantha Bee’s Donald Trump Conspiracy Theory

Look, I don't want to say that Full Frontal with Samantha Bee is the best and most important show on TV. That is has the best joke writers in the business. That it has the righteous anger and indignation that this year called for. That it’s going to be our guiding light for the next four years. And that it’s proof that giving The Daily Show to Trevor Noah was one of the dumbest decisions in recent television history. All I’m saying is that some people are saying that, and who am I to disagree? If I was going to make claims that outlandish, I guess the first pieces of evidence I would direct you to are this already iconic Donald Trump conspiracy and the show’s Harriet Tubman segment. But I’m not one to make accusations about things using facts and evidence. I’m no expert; I’m just a guy. A guy standing in front of samanthabee.com asking it to to love him.

13. David Bowie - “Lazarus” video

The ultimate mic drop.

They say Native Americans used to make use of every part of the buffalo. David Bowie was like that, only the buffalo was his life.

14. SNL

“Farewell Mr. Bunting”

Having enough trust in your audience and your vision to attempt this sketch is super inspiring. Getting people in 2016 to wait through two and a half minutes of build up in a viral video before it pays off feels like a miracle. And getting the feeling back in my face when I finally finish laughing at this is going to be really great.

“Black Jeopardy”
This is what comedy can do when its at it’s best. It cuts to truths about America more clearly and cleanly than 1,000 think pieces ever could. Are comedy sketches eligible for the Nobel Prize in Literature now?

“Hillary Clinton/Hallelujah”
And this is what comedy can do when it’s not comedy at all. When historians 200 years from now want to know what the days just after the election of Donald Trump felt like all they need to do is watch this. The best thing SNL has ever done.

15. Songs That Made Me Unsure Whether I Should Be Sad, Dance, Or Both

Christine and the Queens - “iT”

I have absolutely no idea what this song is about. All I know is it sounds like the feeling of being alive. Between this song and Marion Cotillard’s eyes the French really continue to have the whole beautiful sadness thing figured out.

Eleanor Freiberger - “My Mistakes”
The best Rilo Kiley song of 2016. The world can change however it wants; as long as it keeps giving me new versions of the exact song I’m totally good.

Mike Posner - “Took a Pill in Ibiza”
The exact opposite of me is an EDM-influenced song about taking drugs in a nightclub in Ibiza. Yet here we are. Turns out that existential melancholy translated into Douche from the original Neurotic Intellectual is still pretty damn relatable. And yes I realize this song came out in 2015, but this will always be the sound of 2016 to me.

16. Moonlight

Moonlight feels like a miracle. That a serious drama without any name stars about a poor, gay, black man coming of age could be made at all, yet alone breakthrough into the popular consciousness. That a cast this natural and flawless could be found, like an album where every song that comes on makes you go “no THIS one is my favorite!”. That there are two different sets of three actors so similar and so good that when I see them together doing press it hurts my brain because I can’t process that they were not ACTUALLY the same person at three different ages. That two people making small talk at a table in a diner could have a whole audience on the edge of their seats. That a no-name director with one prior little-seen credit could create the most powerful and well-made movie of the year. None of these things seems possible or plausible, and yet they're all true. This movie is a miracle. And its success gives me hope. To quote critic Dana Stevens, in the pitch-black year of Trump, Moonlight was a “crack in the wall that allowed light to shine through”.

17. Atlanta

In 2016, what even is TV? It’s basically anything now. And it’s everything. It’s whatever it wants to be. And no artist has yet risen to meet the challenge and possibility of our post-Louie world better than Donald Glover has. In 2016 Atlanta is TV, and TV is Atlanta. There are no rules. There is only what you can dream up.

What will season two of Atlanta be? It could be literally anything and no one would bat an eye.

18. Chance the Rapper - Coloring Book

Chance the Rapper is so millennial it hurts. Chance the Rapper definitely has strong feelings about safe spaces and Bernie Sanders. Chance the Rapper has never even considered doing something ironically. Chance the Rapper makes Lin-Manuel Miranda look like a cynical pessimist. Hell, Chance the Rapper named himself Chance the Rapper. And as a millennial, Chance the Rapper is the future.

And the future sounds amazing.

The future is like if Old Kanye had been raised on new Kanye and was actually good at rapping. (As the old saying goes: every generation gets the Late Registration it deserves) The future is like if Picasso painted with emojis. The future is earnestness being the new aggression. The future is Future being the past.

Hip-hop is dead, long live hip-hop.

19. “A Closer Look” on Late Night With Seth Meyers

I almost left this reoccurring segment off my list of the best of 2016 because it’s become such a constant part of my life that I assumed it had been around longer than just this year. Who knew when Jon Stewart retired that the new iteration of The Daily Show would be called Late Night With Seth Meyers? Or as I call it: Essential.

20. Revisionist History Podcast

Facts and knowledge really took a beating in 2016, but turns out both are still great if you just re-examine them rather then throw them out all together. Perhaps looking more deeply into our assumptions about the world can help us better understand human nature and the reality we all share. Who knew? 

Of everything I experienced in 2016 this podcast is the thing I reference most frequently. I’m fun at parties.

The Top 5 Guest Verses on Kanye West Songs

For a man known for his ego, Kanye West has always done a remarkably good job of drawing the best out of other people and giving them space to shine. In fact it was very hard to narrow this list down to just five. But with apologies to Nas on “We Major”, Taleb Kweli on “Get Em High”, Kendrick Lamar on “No Parties in LA”, and Jay-Z, Cyhi the Prynce, and Pusha-T on “So Appalled” here are the best guest verses from Kanye West songs (tracks from his solo albums only):

5.) Rick Ross - “Devil in a New Dress”
What really elevates this isn’t even so much the lyrics themselves, but Rick Ross’ delivery of them. Kayne uses Ross’ deep baritone voice and crisp articulation like a another instrument in the song. And he deploys it to perfection. The transition from Ross’ voice at end of “Devil in a New Dress” to the single spare piano note that starts “Runaway” is hands down my favorite moment on a Kanye West album.

4.) Chance the Rapper - “Ultralight Beam”
As is already being talked about all over the internet, this feels like a star making verse. Kanye letting Chance steal the song from him almost feels like Eminem stealing “Renegade” from Jay-Z. And the expression of joy Kanye had on his face while watching Chance spit the verse on SNL is the same expression I have whenever I listen to it. It’s a good verse lyrically, but its real greatness is in its energy. Excited to see where Chance goes from here.

3.) Pusha T - “Runaway”
Kanye famously made Pusha-T keep rewriting this because it kept not feeling brutally honest enough. Thank goodness he did. It’s now the best part of the best song on Kanye’s best album. The lesson, as always, is never question Kanye.

2.) Jay-Z - “Diamonds From Sierra Leone (remix)”
“I’m not a businessman I’m a business, man”

Most people forget, but one of the most iconic lines in rap history, and perhaps the most famous line of Jay-Z’s career was actually from a guest verse on a Kanye song.

1.) Nicki Minaj - “Monster”
As if #1 would be anything other than the ne plus ultra of guest verses. Nicki owes her entire career to this verse. It will never be topped.

Grammys 2016

Yes, the Grammys are a dumb pointless out-of-touch awards show, but they're also a fantastic night for televised live music performances. It's always my favorite TV watching night of the year, and this year was no exception. So who cares who won or lost, let's run through what really matters - each of the performances in order:

Taylor Swift

You know what’s NOT out of the woods? Taylor Swift’s singing ability. But at least she was able to come up with a great concept for the performance - singing "Out of the Woods" while literally emerging from a darkened area full of trees. I mean, where does she come up with this stuff???

Well, the good thing about being Taylor Swift at The Grammys is you know there's always next year.

Sam Hunt & Carrie Underwood

Close your eyes and imagine how a person named Sam Hunt would dress for their Grammy performance. Now open them - you were exactly right!

Speaking of appearances, interesting to see that country music dealt with losing Taylor Swift by making Carrie Underwood look just like her. “Maybe no one will notice it's a different person!”

Anyway, totally unmemorable performance by Country Music Ken and Barbie.

The Weeknd

You know who would absolutely hate The Weeknd’s 2016 Grammy performance? 2012 The Weeknd.

Before performing a serious stripped down ballad at the Grammys, it's always important to ask yourself “Am I Adele?” If the answer is no then do something else. In The Weeknd’s case maybe try doing one of the songs that got you here and represent what you do best. Or, ya know, the exact opposite of that.

Andrea Day & Ellie Goulding

“Hey, I know, let’s follow a guy standing around singing an unmemorable ballad in an unmemorable way with two women doing the exact same thing! That’ll be a real Grammy Moment!”

I fell asleep at some point so I missed the exact name of that song, but I’m pretty sure it was called “Polite Applause”.

Lionel Ritchie tribute

Wow an overly-long, bland, inoffensive Lionel Ritchie tribute - or as it's known on CBS, Monday night.

A few other thoughts:

-If the Grammys aesthetic could be distilled down to a single person, that person would be John Legend.

-Holy shit, Demi Lovato isn't Vanessa Hudgens! Who knew?

-Luke Bryan honoring Lionel Ritchie is one of those ideas that sounds ridiculous in theory, but is also ridiculous in practice.

-They would have let Luke Bryan sing longer but they didn't want his cruise ship to leave without him.

Little Big Town

"Hey look, country music can be just as boring as stuffy as “real” music!"

Everything you need to know about country music is that there's a big division in the industry between people who think "Girl Crush" is controversial and people who think it's clever, when in fact it's not remotely either. I do however like Little Big Town’s follow-up single, “He Gets It In The Butt” about the dangers of cigarette smoking.

The Eagles

Wait, which one of these people died again? Jackson Browne?

Nice performance by wax sculpture versions of the Eagles, but maybe next time program them to take it little less easy. Pretty sure they took that “I’m standing on a corner in Winslow Arizona” line a bit too literally this time. But it did wind up being a great PSA for prescription sleep-aid abuse. So that's nice.

Tori Kelly & James Bay

“Shhh, we don’t want to wake up The Eagles…”

Hamilton

HAMILTON HAMILTON HAMILTON! IN CASE OF HAMILTON PLEASE BREAK GLASS!!! 

YES THE SONG WAS SLOWED DOWN TOO MUCH, AND YES EVERYONE LOOKED SLIGHTLY NERVOUS, AND YES “MY SHOT” AND “SCHUYLER SISTERS” ARE BETTER AWARDS SHOW SONGS BUT THEY’RE SAVING THEM FOR THE TONYS, BUT WHO CARES, HOLY SHIT IT’S HAMILTON!

As a theater person through and through I never thought I would see the day that a pop music awards show would be desperate to steal some of musical theater’s mojo, yet here we are. It’s a real shame the cast recording wasn't nominated for Album of the Year, but still, Lin-Miranda got contemporary musical theater onto the Grammy telecast. How lucky were are to be alive right now. 

And now, in the immortal words of The Beastie Boys, no sleep til The Tony Awards.

Kendrick Lamar

THAT is why I tune into this ridiculous award show every year. Because every once in awhile something singular and visionary and incredible like that will slip through the cracks. And when it does, it feels like magic. It feels like an event. Like one of those “Moments” that the Grammys are so obsessed with talking about. But the lesson here is, as always, instead of trying to force a big Moment or manufacture them by committee, you just have to give an incredible artist with something to say the resources and space to execute their vision, and then get out of the way.

No one loves Kanye West more than me, but I really hope he was watching Kendrick because he could really learn something from that performance. We all could. The rest of the Grammys was entertainment; Kendrick made art.

Adele

There’s apparently no truth to the rumor that Taylor Swift was in charge of the audio for Adele’s performance. But even with all the sound issues, it's amazing that Adele was able to take the exact thing that has been so boring all night - people standing motionless singing overly-serious stripped-down ballads - and make it utterly captivating. 

Also, do you think Adele already has her 2017 speech ready? If I were her I would just keep some spare acceptance speeches in my purse at all times - never know when you might need one. 

Justin Bieber

I think I kinda…really liked that? Making a song overly serious and epic at the Grammys actually really worked for once. Is Jack U the new U2? Is Justin Bieber our new Bono? What world is this?

David Bowie tribute

Great performance by David Bowie’s Wikipedia Page!

On the one hand, if the Grammys had just said “Ladies and Gentlemen: Lady Gaga” and stopped right there, that would have been the best David Bowie tribute they could have possibly done. But on the other hand, at least they can now be sure that David Bowie is actually dead, because if he wasn't before, that tribute definitely killed him.

BB King tribute

Now THAT is how you pay tribute to someone. I want to buy music from every single person involved in that. 

Chris Stapleton paying tribute to BB King is one of those ideas that sounds ridiculous in theory, but is actually awesome in practice. And man, Bonnie Raitt, that was some Melissa Etheridge/Janis Joplin-tribute level shit right there. 

Well done all around!

Alabama Shakes

Man, Brittany Howard, that was some Melissa Etheridge/Janis Joplin-tribute level shit right there!

Excited that in Alabama Shakes, The Grammys have finally found their new Foo Fighters. I would listen to Brittany Howard sing literally anything.

Hollywood Vampires

“It’s music’s biggest night! We’re here to honor the very best in music! Now here’s a performance by Johnny Depp’s vanity band!”

That was offensive to me, but for absolutely none off the reasons The Hollywood Vampires wanted it to be. I mean I know Alice Cooper wanted some stage time to work on his Johnny Depp impression, but it would have been so much easier for them to just crash two small trains together and get it over with.

Pitbull

I have a lot of questions including: What? Why? Who? and How?

Remember the year that Arcade Fire won Album of the Year and then celebrated by playing another song to close the show? Serious question: why does that not happen every year? Just tell the five nominees to have a second song ready to go in case they win and then that song would close the show every year. It would be a cool tradition, and keep viewers tuned in til the very end. It's a perfect idea, which means instead, Pitbull will close the show every year form here on out. Which leads me to close this with the official motto of the Grammys: “Ugh”